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ON STAGE NOW

    PURCHASE INDIVIDUAL TICKETS ONLINE CLICK ON THE LINK TO THE LEFT
TICKETS ARE $22 OR $11 FOR STUDENTS WITH PROPER ID

Congratulations to the winner of our New Play Contest!
A POSITION OF RELATIVE IMPORTANCE a comedy by Hal Borden 

Opening Jan. 29
FOR COLORED GIRLS WHO CONSIDERED SUICIDE WHEN THE RAINBOW IS ENUF by Ntozake Shange
January 29, 30, 31 February 5, 6 and 7 at 8PM Jan 31 and Feb 7 at 2PM
PERFORMANCES FOR THIS SHOW WILL BE HELD AT FLORIDA SOUTHWESTERN STATE COLLEGE Building L. The the right of BBMann Hall
Winner 1977 Obie Award for Distinguished Production
This groundbreaking "choreopoem" is a spellbinding collection of vivid prose and free verse narratives about and performed by Black women. Capturing the brutal, tender and dramatic lives of contemporary Black women, For Colored Girls... offers a transformative, riveting evening of provocative dance, music and poetry.


Playing for 2 performances only at St. Raphael's Church on Fort Myers Beach
THE BIBLE: THE COMPLETE WORD OF GOD (ABRIDGED) by Adam Long, Reed Martin and Austin Tichenor
Jan. 30 and 31 at 8PM
Whether you are Catholic or Atheist, Muslim or Jew, Protestant or Purple People Eater, you will be tickled by this romp through old time religion. An affectionate, irreverent roller coaster ride from fig leaves to Final Judgment.

Gary Busey's One-Man Hamlet (as performed by David Carl) 
March 6 and 7 at 8PM
an absurdist romp through Shakespeare, pop culture, and life in the theatre. Directed by Michole Biancosino (AD of the award-winning Project Y Theatre Company), created by Gary Busey (as imagined by David Carl), who has decided he will perform all the parts in Shakespeare's Hamlet in order to prove that he still has "the chops." Switching between beat poet narrator, puppeteer, musical theatre singer, horror film director, and "great" actor, Gary Busey (as imagined by David Carl) plays each scene in the style he feels appropriate. A mix of high- and low-brow comedy, Gary Busey's One-Man Hamlet (as performed by David Carl), celebrates Shakespeare's play by proving it is still relevant, applicable, and moving in the jaded, celebrity-crazy, meme-obsessed world we (and David Carl) live in.



                                                                                                                                                  

 

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